THE TEAM

Taylor G McConnachie
Co-Owner
Senior Editor
Colourist
Post Supervisor
With over 15 years in the film industry, Taylor has edited, colour corrected, and post supervised a number of projects for broadcast, web streaming, and theatrical release.
"I pride myself in my work. There's honestly not a project that I've worked on that I haven't invested myself 100% in. I think that says a lot about who I am as a person but also the love I have for my craft and therefore my company. I started Coma Edits in 2011 and I have learned a lot growing alongside it but most importantly I have seen the ways in which post-production can come to a crippling halt as well as the ways it can flourish.
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Coma Edits is a place you can bring your post-production needs and be confident you will have great talent developing a top quality product, with all deadlines guaranteed, led by someone well versed in the industry and has a knack for solving problems before they happen. We're creating a new standard for post production here at Coma Edits."

Katie flach
Co-Owner
Senior Editor
Colourist
Post Supervisor
Katie Flach has delivered as an editor, as well as a co-owner of a post house to networks including Discovery, APTN, CBC, and Disney. No matter how all encompassing or singular the role, she thrives in the edit suite. With a particular touch for the finesse of a fine cut, and a strong sense of story in a rough cut, she is a force in her craft.
"I've been drawn to film & television for as long as I can remember. Escaping into another world via story has been a place of solace for me, regardless of the topic or nature of each tale. As I solidified my career as an editor, I realized that documentary very much intrigued me. The journalistic approach of telling real stories, paired with the ever broadening artistic integrity of documentary as a genre, was a place I knew I could excel. I find it's the perfect mix of creative and being technologically inclined, as well as being a bit of a perfectionist.
Building a post house has only strengthened my inherent tendency to bring people together and support them. As a collective we mentor and support one another no matter our place in each of our careers. Sharing real stories, amongst creatives that have found themselves within the format for various reasons, reminds me that I've found my true purpose in life. A calling I never knew I had but needed to follow, and a team that has a familial sense of connection and unity.

NAKITA JOHNSON
Editor
AE Supervisor
Nakita is a film editor that doesn’t gravitate to any one genre. She thrives on the promise that every project is unique and offers a new set of challenges and inspiration, pushing her to refine her craft every single day.
“While working in a variety of genres sharpens my skills, topics relating to culture, anthropology, natural sciences and environmental issues worldwide really speak to me. I am particularly inspired when a documentary truly provides the audience with a fresh perspective and an enthusiasm for the content. I love collaborating and seeing all the hard work come together in the end is the best part of my work.”

Jane macrae
Post-Production Consultant
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Jane MacRae is an award-winning editor with over 15 years’ experience in feature films and series. In addition to her regular projects, she provides development, editorial, and post-production consultation services for both scripted and documentary productions through her company Fast Hat Films.
“My first few years were spent in machine rooms, troubleshooting tape decks and Avid systems, converting camera formats and frame-rates and QCing broadcast masters. In the time since, I’ve brought a technical mindset to all of my projects, smoothing out workflows to ensure that the creative side can thrive.”

James Kinistino
DOP
Editor
Jimi (James ) Leigh Kinistino, is an indigenous Toronto based cinematographer, director, CSA award winning editor and filmmaker.
"I'm interested in projects that matter, that inspire and that have heart and empathy.
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Everyone has a voice and all those voices and stories matter. It's hour we share. I love being a small part of that sharing."

SAHIL KUMAR
Junior Editor
Sahil is a film editor and music video director based out of Toronto. With a love for old arthouse movies and the new generation's obsession with intriguing visuals, Sahil looks to elevate his work with each project and push the boundaries of creative editing.
"I love to watch things that keeps my eyes invested, so I thrive on creating work that keeps the viewer watching. With lots of planning and thorough analyzing, I make sure to bring a complete and satisfactory product!"

Mathijs Kriebel
Assistant Editor
Audio Engineer
Mathijs Kriebel is an audio engineer/musician with over 7 years experience in music production, recording, sound design, and mixing.
Whether it be producing music, developing soundscapes, or mixing and editing podcasts, Mathijs’ skillset is extensive and adaptable to any audio related projects.
“Audio can be the make or break element for many creative projects. Having a detailed and high-quality audio component is essential to getting the most out of your project and delivering your content in the most impactful way possible. Sound is the foundation for any strong creative endeavour to stand on.”

Colin o'neill
Interaction Designer
Assistant Editor
Colin is an interaction designer specializing in UI and motion graphics. He lives to keyframe and create those smooth transitions that make you go "oh, that's pretty neat". A newcomer with training in multiple different disciplines, he brings his expertise to Coma Edits in the form of animation.
"I love being the conduit between a clients idea and the final product. Getting their ideas from their head onto a screen in the way that they had imagined gives a special type of satisfaction."

Mike Duncan
Sound Designer
Mixer
With over 25 years experience in the industry, Mike has seen it all … well ok, most of it. From orchestral record to sound design to the final mix, Mike has worked with the best and delivered. He’s had films at TIFF, HotDocs and festivals around the world, and delivered to major broadcasters ,CTV, CBC, Pbs, Discovery, TSN. National Geographic, TVO, Global, ARTE , NHK… and on.
"Sound is a big part of the story. When done well you may hardly be aware, but it is shaping mood and immersing you in the story.
I love what I do for a living, and I believe it shows in the work. Years of experience allows me to sense direction and texture and todays’ advancing tech helps get me there in a hurry. I still get excited when the mix comes together and begins to work with picture, taking things to the next level."

WOLFRAM KURZ
Sound Designer
Mixer
Composer
Wolfram Kurz is a multi instrumentalist that has been composing, sound designing, and mixing for over two decades, and playing music for three.
"Music is the matrix that composes the soul of our world. Audio as a whole moves and affects us in ways that very few other things can. Our audio department is able to craft precision soundtracks to fit any instrumentation or genre requirements your project may entail.
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Designing custom tailored aural environments in which your vision can live and breathe is a practice that is close to our hearts. Warm audio mixes and unique sound design married with original music rounds out the full score of audio abilities we can offer."

DANIELA NAVAS
Graphic Designer
Assistant Editor
Daniela Navas is a graphic designer/artist, art director and photographer with a passion for all aspects of the creative process. A self-starter with a strong entrepreneurial spirit. She has experience in the fields of design, advertising and video production.
“My creativity has always been my passion. I love working on all kinds of creative projects, with diverse clients and delivering the best results to suit both a desire to express my creativity and satisfying clients’ needs."

DANIELLE LEGAULT
Administrator
Assistant Editor
With a background in philosophy, literature, and social services, Danielle has a deep appreciation for the power that sharing our experiences and ideas has for transforming the world. Endlessly curious, always wandering down new avenues and finding connections between the unexpected, she loves to see all of the pieces come together to create authentic stories that resonate.
“Working behind the scenes to support an amazing creative team that is just as passionate about good storytelling and amplifying new voices that challenge our perspective, I take a birds-eye view to smooth out inefficiencies in coordination and communication so that each member of our team can focus on applying their considerable talents to achieve the highest quality possible.”